American Musicological Society Southwest Chapter Conference Proceedings

Contents

Papers Read

Literary Theory, Constructing Musical Genre, and Communicating Musical Meaning in the Early Modern Period
(Kimberly Beck Hieb, West Texas A&M University)

Gesualdo’s ‘Moro Lasso’ and the Freudian Repetition Compulsion
(Michael Lively and Mary Lena Bleile, Southern Methodist University)

Feminism Meets Folk Song in Dame Ethel Smyth’s Opera, The Boatswain’s Mate
(James W. Kirkpatrick, MD, MPH, FACPM, Colonel US Army MC, retired)

Paper Abstracts

Immigrants, Indians, and Americans: Native American Imagery and the Formation of Identity in the Music of Victor Kolar (1888–1957)
(David Catchpole, Texas State University)

“Solemnity and Gravity” in Anglican Church Music, c. 1700
(Andrew Salyer, Independent)

All the Pretty Little Horses: the Spectacle of Power in the Ladies’ Carousel of 1743
(Amy Onstot , University of Minnesota)

Poster Session Abstracts

The Musical Language of Black Minstrel Music by Jacob J. Sawyer (1856-1885)
(Nico Schüler, Texas State University)